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There Goes My Baby (Usher song)
"There Goes My Baby" is a song by American recording artist Usher. It was written by James Scheffer, Frank Romano, Danny Morris and Rico Love, with the latter producing the song with Jim Jonsin. The song was first released as the second promo single for his sixth studio album, ''Raymond v. Raymond'' (2010) on February 9, 2010, and later released to rhythmic and urban airplay as the album's fourth U.S. single from the album on June 15, 2010. It was later included the album's follow-up set, ''Versus''. "There Goes My Baby" is a down-tempo R&B piece, which makes use of Usher's falsetto range.
Critics received the song positively, complimenting Usher's falsetto. While reaching a peak of twenty-five on the ''Billboard'' Hot 100, it topped the Hot R&B/Hip-Hop Songs chart. The charting gave Usher his eleventh number-one on the chart, tying Ray Charles and R. Kelly for the fifth-most number-one's since the chart's inception. The song's accompanying music video features Usher pursuing his love interest in risque scenes. Critics generally favored the video, calling it classic Usher, while some noted its theme was played-out. Usher performed the song a number of times, including at the 2010 BET Awards. The song earned Usher a Grammy Award for Best Male R&B Vocal Performance, at the 53rd Grammy Awards in 2011.〔(Nominees: 2010 - 53rd Annual GRAMMY Awards ). Grammy.com. Retrieved on 2010-12-02.〕
==Composition and critical reception==
"There Goes My Baby" is a, "slinky" down-tempo R&B ballad, with infused hints of neo soul.〔 It is composed in a "moderate groove" of eighty beats per minute, and is set in common time.〔(【引用サイトリンク】work=''Musicnotes.com'' )〕 It is written the key of A minor and Usher's vocals span from the low note of E4 to high note of C6.〔 It follows the chord progression A–F7–G.〔 The song makes use of Usher's falsetto range, which was warmly received by critics. Edna Gunderson of ''USA Today'' called Usher's falsetto "charming." Jaime Gill of Yahoo! Music UK said that the song was a delight and that its falsetto tenderness was absent in the rest of the work. Tyler Lewis of ''PopMatters'' said the song featured "nice falsetto work" from the singer, while Leah Greenblatt of ''Entertainment Weekly'' coined the song a "falsetto-laced plea."
Andy Kellman of Allmusic noted the track as a standout from ''Raymond v. Raymond''. Greg Kot of the ''Chicago Tribune'' said that the sweetness of Usher's falsetto balanced out the album's "boilerplate swagger." Fraser McAlpine of BBC Music thought that the song recalled Usher's past slow jams, coining it, "a sumptuous deep-pile carpet of seductive song." Ashante Infantry of the ''Toronto Star'' said the song was one of the best on the album, and said that it was a "steamy slow jam." Calling the song "decent," James Reed of the ''Boston Globe'' thought the lyrical content was hollow. Calling it a low-point of the album, Matthew Cole of ''Slant Magazine'' said that the song was "sappy."
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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